Wander Gently
Wander gently
through a Spring meadow
in a desert land.
Cherish a brief blossoming
from the brilliant red poppy
to each tiny, delicate, sunlit star and
Purple thistles, blue flax, pinkish roses, all
come bursting from rock
and earth
and everywhere
where a seed might stray
there is bloom.
Saturday, January 22, 2022
Wander Gently
Absorbed
People become places;
moods and seasons sprinkle
like salt, absorbed
into stone.
But structures shape
the thoughts;
An arch's key
is the wedge between
now and then
I remember
now and then
walk down an alley
and echo.
poem copyright ©2000 Anne Selden Annab
The Sea of Lot
We started out from Amman.
The road is a scant thread
that follows the form
of the mountains closely,
swerving and veering
on the edge of gravity
as we skirt potholes,
continuously fringed by chasms
of every size and sort.
Zoom past lorries
and trucks brightly painted.
Drive and drive
in a lunar landscape as
the terrain straightens and sinks.
Check points slow us down,
but mostly the young, serious soldiers,
dressed in olive and armed,
just wave us through.
We arrived at the Dead Sea
unexpectedly-
Not at the Spa, where
people go to float
and read a paper
as if lounging comfortably...
No, not the Spa, but on past all people,
just happenstance-
bump off the road
and bump down so close
to what seems to be a cliff drop;
but it wasn't an edge
just a little stubble of a hill
for feet to race down the shifting
stone sand and arms to reach out
into the warm breeze
and skip stones in the buoyant Salt Sea.
Take a stick and stir,
the minerals come up like oil
clinging to the surface
following the path of the stick
and elaborating on it's every motion.
We had such a pleasant interlude
Enshallah
Let the children play.
Back to the car;
bump back to the road
rumble jerk
over what would be a meadow
if it were green:
It feels like driving
over a plowed field,
deeply furrowed
and thrashing us about
until we reach
the smooth macadam
of the new road
along the Dead Sea
poem copyright ©2000 Anne Selden Annab
Wadi Mujib
The road, like a Roman road,
leading straight and level,
brings us up over a sharply angled bridge
that spans the deep gorge
of the Grand Canyon, Wadi Mujib.
A sleek modern bridge
that cuts across the crumbling chasm.
At first I see a suspension bridge,
but the expected tangled web
of metal has been supplanted.
Instead, neatly etched into space,
is the profile of two great triangles
delineated by wide solid bases that soar up
towards extreme narrowness-
Geometric precision swiftly shaving girth,
and the pinnacles seems to dissolve
into the light air of deep sky.
The chasm is the Grand Canyon
of Jordan, Wadi Mujib.
Deep red rock with stratum shades
that flux and fuse into shadow-
a fissure that holds a shallow river
as it empties into the Dead Sea.
We pull over-
rush up to take pictures.
Pictures of the chasm,
that's been there to be gazed at
since history itself.
Pictures of each other,
knowing we're a brief interlude
on this astonishing landscape.
Pictures of the exquisite bridge.
Pictures of rock formations looming
against blue sky. Pictures of the water
way down below, the trickle
that tickled these tall cliffs into place.
Pictures of each other posing
and pictures of each other
taking pictures.
poem copyright ©2000 Anne Selden Annab
Water
High up
on the rocky, parched roadside
we see the smooth dark shape
of water, way, way below.
There's no road really
just dry rocky earth to follow down;
like water that finds the easiest path
we dribble down towards the stream, the river.
The river that blasted through the rock,
carved a channel deep, drop by drop
flickered a shaft through stone
and amplified it into an immense ravine.
There's a bus being washed
under the bridge,
They use gravel too,
enthusiastically scrubbing and splashing.
We clamor about a bit.
My husband touched by hawks
as they hover on cliff currents high above.
Nell enthralled by all the color and shape
of sheer rock.
The boys entranced by bugs,
especially the beetle with long long legs
to hold him up off the ground,
the parching ground.
Dust on my finger tips,
my face,
wind...
Go down to wash in the river.
ebb and flow with the sound
of water wearing down rock
and splashing on my feet.
poem copyright ©2000 Anne Selden Annab
To Our Right
To our right, the Salt Sea
shimmers smooth with spectrums of pink
and lavender and blue light.
Jerusalem is over there,
beyond.
In the gaseous glimmerings
that rise above the fluent surface
of the still sea.
I think of the Dome of the Rock:
An image I've seen from many angles,
except with my own eyes.
Less than 40 miles away, yet a world away
a place we can't go to yet.
Someday...
in the gaseous glimmerings
that rise
to our right.
poem copyright ©2000 Anne Selden Annab
Jerusalem
Jerusalem- (No turnoff from our lane
as we drive on a desert road).
All armies have invaded-
no creed
no holy word
has been left unscathed
in this exalted city
of a thousand centuries.
Perhaps if I had walked
the Via Dolorosa,
or if I had touched
the Wailing Wall,
or entered
the Dome Of The Rock,
perhaps I too
would be imbued
to thrash God's will
about on others,
to extol my ancestor's way-
their course and curse.
Perhaps if my husband
were less a man
less a lover
less a friend
less a father to our sons
I'd turn to you and yell
screaming all my own insanities
arguing with all my angst
about infidels
barbarians
filth...
I'd soil your city
with the expectations
of jealous rage
and zealotry
and claim you
as a narrow place;
no room for anything but
my own ideology.
Perhaps if my childhood
had been worse,
I'd come quivering to you
expecting God.
But all I have
are books to lead me
through your streets,
temples, chapels,
even into a mosque...
It's the wildflowers
on the hills east
of the river Jordan
that claim my spirit's calm,
swilling me with inspiration
the open air
and the bluest sky.
The kindness of in-laws...
Jerusalem
perhaps some day
I'll come to you,
when the Holy Trinity shifts and settles
and is equally of Moslem, Christian, Jew-
And from that pinnacle,
pierced by all our empathy,
I'll be able to walk your streets...
Perhaps someday
Jerusalem,
God's claim
will barricade
people's hearts
from hate and bigotry:
To make a place
to abide in peace... Yerushalayim.
poem copyright ©2000 Anne Selden Annab
Picnic
The Land Rover leaps up off the road
lurch lunging up a cliff with all the bounce and bound
of crashing down a cliff...
Squeeze through an eroding pass
with scarcely a thread breadth on both sides,
scarcely a thread breadth between us and a
steep tumble down bounce and crash
precipice.
Crunch up a landscape
that leaves no trace of our passage,
just tumbled rocks and dust
that dance.
Choose a spot-
sameness spans all sight,
its only distinction is
that the Land Rover
has stopped.
Spill out to feast on pita bread
and goat cheese sandwiches-
Food that doesn't mind being squished.
Step delicately among goat turd
and minuscule wildflower;
it's quite easy to twist an ankle
on windswept rock.
Eyes flit over the treacherous track
it will take to return;
a swig of cool water from a jar
empowers
and off we go.
poem copyright ©2000 Anne Selden Annab
Moab's Hills
All the hills
in a prophet's eye...
In our Land Rover,
we leave the low, flat landscape
that holds the shimmering Salt Sea.
The smooth straight road
reaches up into the mountains,
where it wraps itself tightly
into curves following contours.
Knolls rush up at us only to fall
sharply away, arising as other hills
farther on, farther up emerge,
both steeper and softer.
Eyes scan across yet another
canyon as we careen,
always on edge; and suddenly-
huge faces in the rock emerge,
like Mount Rushmore,
but no man-made chisel carved
the stunning contour of features
set to emanate from the avalanche of time-
the avalanche of fluent rock erosion,
staring back at me.
Craggy, weather worn, furrowed faces
watching with eyes that are nimble shadows-
shelves and slants and surface
gnawed by time and tale.
The road leaps sharply up and
I look down deep rocky
chasms, that approach
with lurch and loom
and sloping plateaus
sprigged with stony pasture:
Each relatively level patch
bears one lone shepherd-
Bedouin robes draping him
with historical allusions.
Black rocks become a tumble of goats.
White stone stubble...browsing sheep.
Height-depth-dark-light-
nothing seems anything
except ancient.
Even recent excavations
(crude surface mining)
has the appearance
of an archaeologist's mound
divulging treasure;
gnawed by time and tale.
poem copyright ©2000 Anne Selden Annab
Colors Of Dust
Colors of Dust,
of gloom and glow-
Colors of dirt and rock
and centuries
of stumbling
looking skyward.
How the stars must
have figured,
sharply delineating direction
amid these softly mounded
mountains that
crumble
with pebbles
and goat turd.
The Bedouin tents are pitched
Huge woolly rooms
swaged to keep out
sun
wind
eyes
watching us
zoom past.
poem copyright ©2000 Anne Selden Annab
Extending
A girl on a hill;
the wind sweeps up
and her dark skirt swirls
lifts slightly, modestly,
to show her strong naked legs
planted firmly-
the color of flesh
extending.
poem copyright ©2000 Anne Selden Annab
Kerak
A Crusader's Castle.
A great bastion of European design...
We've come from the Dead Sea
where we skipped small flat stones
that skimmed happily over towards Jerusalem.
We've come through Moab's Hills;
hills that seemed so gently round from far away
until the road leapt up, leaving your heart
skipping, skimming over towards Jerusalem,
as the car ricocheted off in the opposite direction.
Wildflowers are everywhere &
sheep & goats & shepherds
earth untouched by modern stuff,
just landscape dramatically rising every which way.
The Crusader's Castle dominates,
claims the entire top of distant
mountain we're heading towards,
as if it is the greatest thing in all this wonderful world,
the most magnificent construction
in all this incredible land
and it seems omnipotent, irrepressible-
until we come up to the summit and reach
the crowded little town of Karaoke.
Throngs of Arab Citizens
are making their way about the bustle
of everyday lives: Shopping. Chatting. Shuffling.
Stopping to stare at the obvious strangers
in the Land Rover bumbling slowly
through the tight maze of streets.
Low buildings block our view of the great castle.
My fair-haired sons are like luggage tossed about
in the back of the car, looking out as others look in.
Curious.
We've invaded the afternoon,
come charging in with our strange ways
and a shinny car and weird clothes
and odd hair and pale flesh:
Invaded this busy town's rhythms and patterns.
Irrevocably disrupted both duty and leisure,
in our reckless search for the Crusaders Castle.
We struggle up and down
narrow jammed streets
that might (or might not) be
the way leading to the our castle.
A kindly stranger on the very crowded street
who is armed with a word or two of our own
odd language, takes pity on our obvious plight,
steps gallantly forward, and politely directs us
to our destination.
Having eluded the town itself,
we come to the castle…
We step out of the warm swaddling of our familiar car,
leaving its hot shelter to feel cool strong sunlight
caught on light breezes that wash us with airs
and we enter the castle through its gate.
We pass through thick walls of stone.
Large blocks of stone laid neatly,
tightly together to form the fortification
that's now only good for
intriguing and holding captive
the occasional invasions of tourists,
or sheltering a flock of nibbling goats.
We scramble over and under
and through the ruins
that every which way overlook
and command an impressive view.
It's a large place
with expanses of space underfoot
that stretch like stadiums all around.
Inside and out.
Over there is a mound,
closer it becomes a dark stair
curling out of a rock that becomes a wall,
and leads down to a cavernous hall
lit by high narrow slit windows.
Sound echoes in eerie ways:
Footstep might be horse stomp.
Dust shimmers in precise wedges
of nebulous light
let in by the slit windows.
We walk in a duskiness of old stone
surrounded by space paved
below, beside, and high above- all long ago,
walled and roofed, what did it hold?
Who were they- as foolish as my own sensitive self
imagining the glimmer of armor moving,
the clink of a cup laid aside
Imagining that only I have the wisdom
to penetrate this experience
and explain.
For all the beauty of the day
the perfect weather,
pleasant companionship
and intriguing history
I find myself shuddering
cringing
not enjoying it as I should-
These rocks emanate
hostility.
There seems a cruel touch
within in the sheltering walls
a corruption
trying to taint me
until
we come to a chapel.
Built with in the castle,
almost central
on its lofty plateau
The far portion of its high roof,
once arced with stone wedged tightly,
has fallen to expose blue heaven above.
Wild flowers sprig out of the rock
up on the edge that's left
in the tall stone wall.
The altar is a small meadow
where Queen Anne's Lace bloom
and sparrows flit
and sing.
A chapel reclaimed,
from a tortuous past.
Karaoke reclaimed
by light and air
and wildflowers.
poem copyright ©2000 Anne Selden Annab
Blond Bedouin
Blond Bedouin child-
is it the dust of ancient rock
or a distant ancestor
from the crumbling
crusader castle...
What has given you,
sweet child wide eyed
watching us
zoom past,
what has given you
that halo?
Wheat- gold
like bread
that's not been baked,
still on the shaft
growing
like you...
Will you be blond woman
head covered to hide
from strong sun,
and strangers' eyes
will never know
of the angel's halo
still round your head
that's grown into a river
of wheat falling
down a brown back.
Sweet child wide eyed
sturdy like the soil,
you stand
like rock itself-
your skin
brown and dust,
but all I see
is halo
wheat gold
shimmer song.
poem copyright ©2000 Anne Selden Annab
Taybeh- Wadi Moussa, Jordan
We arrive
at sunset.
Stretch out
stiff limbs
and open
eyes to see
the sandstone
sculptures
carved from
cloud shape
shifting
above Petra.
poem copyright ©2000 Anne Selden Annab
Publsihed- Harrisburg Review 1998
Tahbeh Hotel's courtesy literature found in our rooms (several decades ago)... Uneven floor please watch your step
The Souk at Taybet Zaman
embroidered garments
nabatean pottery and ceramics
handblown glass
petra sand bottles
weavings- rugs & wall hangings
hand carved olive wood
bras & copper
dead sea salts, mud, soap.
Have your photagraph taken in authentic Bedouin attire at Al-Mukhtar
open daily 7:30- 11:00
Map
[ a sketch of a jumble of odd little shapes tightly wedged together with free spaces as oddly shaped as each room, and little lines depicting steps occur at irregular and unexpected places- it is an old village that has been artfully rebuilt into a beautiful hotel.]
Almashi- cafe
Bustan- village square
Diwan- lounge bar
Dukan- gift shop
Elbeer- bar
Finjan- oriental snack
Hammam- turkish bath
Sahtain- main dining room
Saraya- banquet hall
Souk- handicraft center
Tabolin- oriental bakery
Uneven floor please watch your step.
* Note: This page is an exact copy of the Tahbeh Hotel's courtesy literature found in our rooms. It was written in a relaxed hand on thick brown paper. I have copied it verbatim.
Saraya
I wrap myself
in the strange words
delicious sounds
mostly mispronounced
and reverberating
with adventure
poem copyright ©2000 Anne Selden Annab
The Royal Suite
The floor is uneven
dingy slabs of smooth stone.
The same soft drab color of the hills.
The walls are irregular
bumpy rocks mortared
into odd places
falling into pillars...
Two straight columns
step across the center
of this immense low ceiling room,
joined by arches that I suppose support the ceiling,
but more importantly they give this wide open room
a feeling of snug space.
Along the walls are deep benches covered
with soft pillow mattresses.
Each bed being a long bench
with a round bolster on each end,
perfect as an elbow rest as you lean over to chat,
or a pillow so you can sprawl out, half sleeping,
but erect enough to watch
as the children race from pillar to pillar,
chasing themselves and each other and shadows
of all the children who have played in this space,
freed from chores or the strain of being a tourist,
or whatever else compels them
to act more than their age.
We explore every numerous nook.
Open up the carved wooden cupboard
to find a large mirror,
gaze at the room echoed behind,
then glance to see a shimmering self,
shinning with curiosity.
Gently close the mirror back
behind it's heavy ornate doors.
Who wants to look at a reflection
when so much real is to be touched:
The silk pillows are stripped with rich reds
and golds in random bands, tasseled-
everything a princess could wish for comfort,
including all my loved ones close.
I go to the furthest room,
the smallest room,
and sit down at a narrow desk
that's built into the wardrobe.
I suppose some in my place
would be attending to their face,
brushing blush on a cheek,
color on lips...
but I scribble words.
Let my face be whatever
it wants to become
as my mind surges with
impressions, textures, scents,
music all to my mind
as my mind flits through
all I've experienced
in a very full day.
Images, one after another
careening up a road
that curves sharply
unexpectedly always up,
or down.
Dust on my fingertips,
my face.
Wind.
Everything spills
into itself
and each other
what order was it in?
What does it matter...
poem copyright ©2000 Anne Selden Annab
The Craft's Souk
There's a glass blower.
The solid daub ledge
holds a cotillion
of green and blue glass-
breakable shapes spun
as he blows and pulls and dips
and spills and whips and drops
and pulls
a
cobra
from liquid glass dripping and twirled.
The hot furnace
is a nest of orange red
in the dusky room.
Night is outside
and we stand near enough
to be warmed by the stove.
Desert nights can be colder
than you think.
I hold the youngest child,
and feel him twitch and twist
as the glass blower moves
with arms stretched up and out suspending
red glass
that drops into a iridescent swan.
poem copyright ©2000 Anne Selden Annab
Published Harrisburg Review 1998
Sand Bottles
There are
more
colors
of sand
in little
dishes
than I
thought
possible. From
the white I know
so well through the
pinks and oranges
and reds I'm learning,
to the browns I believed
in before I came, to black.
He takes a pinch of dark brown,
drops it in a narrow necked bottle
on a tan layer already poured on top
of light brown one. His dark head is
bowed over his work and he reaches in
the bottle with a wire, touches the sand
pushes gently, pulls, releases and a camel
prances on a desert landscape. It only took
a few seconds and he repeats it all around
etching a caravan of camels prancing. With
dark fingers he tweaks up a color from a little
dish, pours another shade and another, pokes
with his thin wire patterns in the sand like
a starry night- and he packs it tightly
compressing the picture and plugs
it shut with a soft waxy substance
that hardens and we have a splendid
little memento that fits firmly in my hand.
poem copyright ©2000 Anne Selden Annab
Calmly Cruising
We're on our way to
take a buggy ride:
Calmly cruising,
in our sport utility vehicle,
on the edge of a mountain top road
that will takes us down
towards Petra...
Jaffar catches the blast
of sonic boom:
He steers the Land Rover off
onto the dusty berm,
and thrusts the gear into park.
He leaps up and out, detecting the trace
of two gleaming gray jets as they pierce
sound and sight chasing speed-
A tilting metallic glimmer through
the deep canyon of red rock at our feet.
The two jets cut long swathes of space
as straight as a Roman Road Airborne.
Pitch and roll and flash past,
dazzling my dazed husband
who slumps back into the car
muttering that he never thought
he'd ever see
a jet perform
below his feet.
poem copyright ©2000 Anne Selden Annab