Saturday, January 22, 2022

Kerak


        A Crusader's Castle.
        A great bastion of European design...
        
        We've come from the Dead Sea    
        where we skipped small flat stones
        that skimmed happily over towards Jerusalem.

        We've come through Moab's Hills;
        hills that seemed so gently round from far away
        until the road leapt up, leaving your heart
        skipping, skimming over towards Jerusalem,
        as the car ricocheted off in the opposite direction.

        Wildflowers are everywhere &
        sheep & goats & shepherds
        earth untouched by modern stuff,
        just landscape dramatically rising every which way.
 
        The Crusader's Castle dominates,
        claims the entire top of distant
        mountain we're heading towards,    
        as if it is the greatest thing in all this wonderful world,
        the most magnificent construction
        in all this incredible land
        and it seems omnipotent, irrepressible-
        until we come up to the summit and reach
        the crowded little town of Karaoke.
        
        Throngs of Arab Citizens
        are making their way about the bustle
        of everyday lives: Shopping. Chatting. Shuffling.
        Stopping to stare at the obvious strangers
        in the Land Rover bumbling slowly
        through the tight maze of streets.
        
        Low buildings block our view of the great castle.
        My fair-haired sons are like luggage tossed about
        in the back of the car, looking out as others look in.
        
        Curious.

        We've invaded the afternoon,
        come charging in with our strange ways
        and a shinny car and weird clothes
        and odd hair and pale flesh:
        Invaded this busy town's rhythms and patterns.
        Irrevocably disrupted both duty and leisure,
        in our reckless search for the Crusaders Castle.

        We struggle up and down
        narrow jammed streets
        that might (or might not) be
        the way leading to the our castle.
        
        A kindly stranger on the very crowded street
        who is armed with a word or two of our own
        odd language, takes pity on our obvious plight,
        steps gallantly forward, and politely directs us
        to our destination.

        Having eluded the town itself,
        we come to the castle…

        We step out of the warm swaddling of our familiar car,
        leaving its hot shelter to feel cool strong sunlight
        caught on light breezes that wash us with airs  
        and we enter the castle through its gate.
        We pass through thick walls of stone.
                                        

        Large blocks of stone laid neatly,
        tightly together to form the fortification
        that's now only good for
        intriguing and holding captive
        the occasional invasions of tourists,
        or sheltering a flock of nibbling goats.
        We scramble over and under
        and through the ruins
        that every which way overlook
        and command an impressive view.

        It's a large place
        with expanses of space underfoot
        that stretch like stadiums all around.
        Inside and out.
        Over there is a mound,
        closer it becomes a dark stair
        curling out of a rock that becomes a wall,
        and leads down to a cavernous hall
        lit by high narrow slit windows.

        Sound echoes in eerie ways:
        Footstep might be horse stomp.
        Dust shimmers in precise wedges
        of nebulous light
        let in by the slit windows.

        We walk in a duskiness of old stone
        surrounded by space paved
        below, beside, and high above- all long ago,
        walled and roofed, what did it hold?
        Who were they- as foolish as my own sensitive self
        imagining the glimmer of armor moving,
        the clink of a cup laid aside
        Imagining that only I have the wisdom
                                        
        to penetrate this experience
        and explain.
 
        For all the beauty of the day
        the perfect weather,
        pleasant companionship
        and intriguing history
        I find myself shuddering
        cringing
        not enjoying it as I should-
        
        These rocks emanate
        hostility.
        There seems a cruel touch
        within in the sheltering walls
        a corruption
        trying to taint me
        until
        we come to a chapel.

        Built with in the castle,
        almost central
        on its lofty plateau
        The far portion of its high roof,
        once arced with stone wedged tightly,
        has fallen to expose blue heaven above.
        
        Wild flowers sprig out of the rock
        up on the edge that's left
        in the tall stone wall.
        
        The altar is a small meadow
        where Queen Anne's Lace bloom
        and sparrows flit
        and sing.
                                        
        A chapel reclaimed,
        from a tortuous past.
        Karaoke reclaimed
        by light and air
        and wildflowers.


poem copyright ©2000 Anne Selden Annab

Wild Flowers


        Deep yellow mustard,
        bright red poppies, white daises,
        and much much more


        to entertain the fancy
        as they grow in quaint bouquets
        as if on purpose-


        Fragile fragrant little splays
        often underfoot
        as a short walk becomes constant pauses.


        Here as small gold burst of petal
        star shape
        as if dropped and planted from heaven.


        There- another echoes the gold star
        but it's contained in a soft mid blue flower.


        There a thistle blends
        with a cluster of possible roses.


        I think this is a pansy, that might be
        a lily.

        This delicate beauty of blossoming
        is a veritable encyclopedia
        of all the wild flowers I can't name...

        I can only enjoy
        as the sun flushes my white cheeks pink


        and the elevated air touches deep blue sky
        as zither breezes sweep down
        from centuries of sighs-


        Exquisite wild flowers.

poem copyright ©2000 Anne Selden Annab

Blond Bedouin


        Blond Bedouin child-
        is it the dust of ancient rock
        or a distant ancestor
        from the crumbling
        crusader castle...
        What has given you,
        sweet child wide eyed
        watching us
        zoom past,
        what has given you
        that halo?
        Wheat- gold
        like bread
        that's not been baked,
        still on the shaft
        growing
        like you...
        Will you be blond woman
        head covered to hide
        from strong sun,
        and strangers' eyes
        will never know
        of the angel's halo
        still round your head
        that's grown into a river
        of wheat falling
        down a brown back.
        Sweet child wide eyed
        sturdy like the soil,
        you stand
        like rock itself-
        your skin
        brown and dust,
        but all I see
        is halo
        wheat gold
        shimmer song.


 poem copyright ©2000 Anne Selden Annab

Taybeh- Wadi Moussa, Jordan


          
        We arrive     
        at sunset.
        Stretch out
        stiff limbs
        and open
        eyes to see
        the sandstone
        sculptures
        carved from
        cloud shape
        shifting
        above Petra.

 

poem copyright ©2000 Anne Selden Annab




Publsihed- Harrisburg Review 1998

Tahbeh Hotel's courtesy literature found in our rooms (several decades ago)... Uneven floor please watch your step

      The Souk at Taybet Zaman

embroidered garments
nabatean pottery and ceramics
handblown glass
petra sand bottles
weavings- rugs & wall hangings
hand carved olive wood
bras & copper
dead sea salts, mud, soap.

Have your photagraph taken in authentic Bedouin attire at Al-Mukhtar
        open daily 7:30- 11:00

            
            Map

 [ a sketch of a jumble of odd little shapes tightly wedged together with free spaces as oddly shaped as each room, and little lines depicting steps occur at irregular and unexpected places- it is an old village that has been artfully rebuilt into a beautiful hotel.]

        Almashi- cafe
        Bustan- village square
        Diwan- lounge bar
        Dukan- gift shop
        Elbeer- bar
        Finjan- oriental snack
        Hammam- turkish bath
        Sahtain- main dining room
        Saraya- banquet hall
        Souk- handicraft center
        Tabolin- oriental bakery

    Uneven floor please watch your step.


* Note: This page is an exact copy of the Tahbeh Hotel's courtesy literature found in our rooms. It was written in a relaxed hand on thick brown paper.  I have copied it verbatim.

Saraya



        I wrap myself
        in the strange words
        
        delicious sounds
        mostly mispronounced
        
        and reverberating
        with adventure        
        

poem copyright ©2000 Anne Selden Annab

The Royal Suite


        The floor is uneven
            dingy slabs of smooth stone.
        The same soft drab color of the hills.
        The walls are irregular
            bumpy rocks mortared
             into odd places
        falling into pillars...
        Two straight columns
        step across the center
        of this immense low ceiling room,
        joined by arches that I suppose support the ceiling,
        but more importantly they give this wide open room
        a feeling of snug space.
        
        Along the walls are deep benches covered
        with soft pillow mattresses.
        Each bed being a long bench
        with a round bolster on each end,
        perfect as an elbow rest as you lean over to chat,
        or a pillow so you can sprawl out, half sleeping,
        but erect enough to watch
        as the children race from pillar to pillar,
        chasing themselves and each other and shadows
        of all the children who have played in this space,
        freed from chores or the strain of being a tourist,
        or whatever else compels them
        to act more than their age.

        We explore every numerous nook.

        Open up the carved wooden cupboard
        to find a large mirror,            
        gaze at the room echoed behind,
                                        
        then glance to see a shimmering self,                                                  

        shinning with curiosity.
        Gently close the mirror back
        behind it's heavy ornate doors.
        Who wants to look at a reflection
        when so much real is to be touched:
        The silk pillows are stripped with rich reds
        and golds in random bands, tasseled-
        everything a princess could wish for comfort,
        including all my loved ones close.

        I go to the furthest room,
        the smallest room,
        and sit down at a narrow desk
        that's built into the wardrobe.
        I suppose some in my place
        would be attending to their face,
        brushing blush on a cheek,
        color on lips...
        but I scribble words.

        Let my face be whatever
        it wants to become
        as my mind surges with
        impressions, textures, scents,
        music all to my mind
        as my mind flits through
        all I've experienced
        in a very full day.
        
        Images, one after another
        careening up a road
        that curves sharply
        unexpectedly always up,
        or down.

        Dust on my fingertips,
        my face.
        
        Wind.
        
        Everything spills
        into itself
        and each other
        what order was it in?

        What does it matter...

poem copyright ©2000 Anne Selden Annab

Taybet Zaman

 
        We flit out,
        the three children and I
        (while the others nap)
        to explore the village
        with narrow passages
        that widen for no reason
        then shrink back...
        Steps are helter skelter
        here and there
        as the hotel is of a hillside
        of the land as it was found
        centuries ago…
        A place for huts to become homes
        and courtyards to spurt suddenly
        from behind a high wall.
        A community.
        Built with oddly shaped rocks
        mortared into solid, although
        unexpected, walls and arches and walkways.
        Now the residents have moved
        to concrete block residences
        up the road a bit.
        Places with chickens
        and goats and a donkey,
        wash on the line
        that sort of stuff.
        
        And these huts turned to homes turned
        to a quaint hotel.
       

poem copyright ©2000 Anne Selden Annab

The Craft's Souk



        There's a glass blower.
        The solid daub ledge
        holds a cotillion
        of green and blue glass-
        breakable shapes spun
        as he blows and pulls and dips
        and spills and whips  and drops

                                                     and pulls                                                       

a
                              cobra
            
        from liquid glass dripping and twirled.
        
        The hot furnace
        is a nest of orange red
        in the dusky room.
        Night is outside
        and we stand near enough
        to be warmed by the stove.
        Desert nights can be colder
        than you think.

        I hold the youngest child,
        and feel him twitch and twist
        as the glass blower    moves
        with arms stretched up and out suspending
                                red glass
        
        that drops into a iridescent swan.


poem copyright ©2000 Anne Selden Annab

 

Published Harrisburg Review 1998

Sand Bottles

  

                             There are
                                more
                               colors
                               of sand
                               in little
                               dishes
                                than I
                               thought
                          possible. From
                         the white I know
                       so well through the
                       pinks  and  oranges
                      and reds I'm learning,
                    to the browns I believed
                 in before I came, to black.
              He takes a pinch of dark brown,
            drops it in a narrow necked bottle
         on a tan layer already poured on top
        of light brown one.    His dark head is
       bowed over his work and he reaches in
      the bottle  with a wire,  touches the sand
      pushes gently, pulls, releases and a camel
     prances on a desert landscape. It only took
      a few seconds and he repeats it all around
     etching a caravan of camels prancing. With
    dark fingers he tweaks up a color from a little
     dish, pours another shade and another, pokes
      with his thin wire patterns in the sand like
         a  starry night-  and he packs it tightly
            compressing the picture and plugs
             it shut with a soft waxy substance
          that hardens and we have a splendid
       little memento that fits firmly in my hand.



 poem copyright ©2000 Anne Selden Annab


 

Evening's Drowse

           
        I am filled with-
        shaped by
        the hills.

        They smooth my thoughts
        as each rise leads
        to another
        stretching

        as I soar
        like the sparrow
        my mind capturing image
        after image
        of what we've seen.

        Old hills...

        Black specks become goats
        a stick a shepherd on watch.

        Stones take the shape of sheep
        and sheep take the shape of stones.

        Some hills haven't a speck of green
        just crevices
        that make them look like drapery
        sculpted mounds
        modern art

        then drive down
        and discover other hills
        with dark green conifers-

        old old trees with space underneath
        their lowest oldest branches
        primeval shelter...
        
        Would I see the land the same
        if my pace were constrained to what legs can do-
        
        how far the foot can stumble.    


poem copyright ©2000 Anne Selden Annab

The Nook



        There is a nook,
        a small arced shape
        recessed in the stone wall,
        that holds a graceful urn
        from antiquity.
        
        A sparrow alights on the rim
        comes to sit in the sun,
        comes to sing
        and chatter
        and tell me,
        the shadow form,
        of other days
        when other sparrows
        came to bathe
        in a pitcher's warm wet water.
        
        Came to stir
        and sip
        and delight
        in my sleepiness
        as the sun stretches
        and the shadow becomes self.


poem copyright ©2000 Anne Selden Annab

Calmly Cruising



    We're on our way to
    take a buggy ride:

    Calmly cruising,
    in our sport utility vehicle,
    on the edge of a mountain top road
    that will takes us down
                towards Petra...

    Jaffar catches the blast
    of sonic boom:
    He steers the Land Rover off
            onto the dusty berm,
    and thrusts the gear into park.  
    He leaps up and out, detecting the trace
    of two gleaming gray jets as they pierce
    sound and sight chasing speed-

    A tilting metallic glimmer through
    the deep canyon of red rock at our feet.

    The two jets cut long swathes of space
    as straight as a Roman Road Airborne.
    Pitch and roll and flash past,
        dazzling my dazed husband
    who slumps back into the car
    muttering that he never thought
    he'd ever see
    a jet perform
    
            below his feet.


poem copyright ©2000 Anne Selden Annab